Kolejne płyty mam do odebrania z ABC Records, które nagrane są w (HD Mastering CD, najnowsze tłoczenia wersji HD wykonywane są z wykorzystaniem srebra jako warstwy nośnej), tym razem są to płyty Supreme Stereo Sound - Duets cz. 9, Analog Female Vocals, Romantic cello favorites w roli głównej amerykańska wiolonczelistka Alisa Weilerstein z New Philharmunia Orchestra.
„American cellist Alisa Weilerstein has attracted widespread attention worldwide for playing that combines a natural virtuosic command and technical precision with impassioned musicianship. The intensity of her playing has regularly been lauded, as has the spontaneity and sensitivity of her interpretations. Following her 2013 performance with the Los Angeles Chamber Orchestra, the Los Angeles Times said, “Weilerstein’s cello is her id. She doesn’t give the impression that making music involves will at all. She and the cello seem simply to be one and the same.” The collaboration was described by The New York Times: “Their interpretation is one of poise, heft and ardor, the soloist’s superb control keenly matched by the conductor’s insightful.
Ms. Weilerstein’s love for the cello began when she was just two-and-a-half after her grandmother assembled a makeshift set of instruments out of cereal boxes to entertain her when she was ill with the chicken pox. Ms. Weilerstein, who was born in 1982, was instantly drawn to the Rice Krispies box cello but soon grew frustrated that it didn’t make a sound. After convincing her parents to buy her a real cello when she was four, she showed a natural affinity for the instrument and performed her first public concert six months later. Her Cleveland Orchestra debut was in October 1995, at age 13, playing the Tchaikovsky “Rococo” Variations. She made her Carnegie Hall debut with the New York Youth Symphony in March 1997. Her repertory is wide but has been marked by a focus on contemporary music. Committed to expanding the cello repertoire, Ms. Weilerstein is a fervent champion of new music. She has appeared at major music festivals throughout the world.”
„American cellist Alisa Weilerstein has attracted widespread attention worldwide for playing that combines a natural virtuosic command and technical precision with impassioned musicianship. The intensity of her playing has regularly been lauded, as has the spontaneity and sensitivity of her interpretations. Following her 2013 performance with the Los Angeles Chamber Orchestra, the Los Angeles Times said, “Weilerstein’s cello is her id. She doesn’t give the impression that making music involves will at all. She and the cello seem simply to be one and the same.” The collaboration was described by The New York Times: “Their interpretation is one of poise, heft and ardor, the soloist’s superb control keenly matched by the conductor’s insightful.
Ms. Weilerstein’s love for the cello began when she was just two-and-a-half after her grandmother assembled a makeshift set of instruments out of cereal boxes to entertain her when she was ill with the chicken pox. Ms. Weilerstein, who was born in 1982, was instantly drawn to the Rice Krispies box cello but soon grew frustrated that it didn’t make a sound. After convincing her parents to buy her a real cello when she was four, she showed a natural affinity for the instrument and performed her first public concert six months later. Her Cleveland Orchestra debut was in October 1995, at age 13, playing the Tchaikovsky “Rococo” Variations. She made her Carnegie Hall debut with the New York Youth Symphony in March 1997. Her repertory is wide but has been marked by a focus on contemporary music. Committed to expanding the cello repertoire, Ms. Weilerstein is a fervent champion of new music. She has appeared at major music festivals throughout the world.”
